Sunday, February 2, 2014

Comment On Schoenbegs Piece Peripetie

Comment on how Schoenberg uses the following musical elements in this human beings key and Harmony Melody Rhythm Texture whole step Peripetie is an atonal piece. This means that the piece has no key. The piece uses a mountain of dissonant harmonies as well as or so of the chords and melodies be often built on hexachords. The texture is more often than not Polyphonic with the odd monophonic and homophonic bits. Schoenberg uses a cumulation of techniques to build up the texture and make it more stir and more complicated. Some of these techniques include inversions, imitations and canons. The rhythms argon also building Gordian and vary. The rhythms change quickly between ¾, 2/4 and 4/4. Schoenberg also layers disparate rhythms to lasther to create a precise complex polyphonic texture. The tempo of the piece is Sehr Rash, which means in German, very fast or very quick. The melody is do up of 7 motifs that atomic number 18 combined in divergent ways. The melodies are disjunct and often sound angular. Schoenberg does this by musical octave displacement. Schoenberg doesnt really develop the motif but straighten out of represents the motif in different ways by exploitation techniques like melodic inversions, augmentation and diminution. Schoenberg uses a large orchestra made up from brass, strings, percussion and woodwind. The instruments change quickly between each different making the piece contrast in timbre. Schoenberg also makes the instruments diversity at the extremities of their range either very high or very low. He also makes the instruments play in phantasmal ways, for example, he makes the cymbal be played with a mallet and violoncello bow to produce an unfamiliar sound. He also uses instruments that are not utilise or not often employ in an orchestra such as the tam-tam and the contra bassoon.If you want to subscribe a full essay, order it on our website: BestEssayChe ap.com

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